Thursday, October 25, 2007
Painting With Light
It was a sultry night of karaoke jazz in the University of Missouri photography studio in Columbia, Missouri on Monday, October 22, 2007. Josh Bickel, who played the trumpet in his high school band, “always wanted to play the saxophone”.
Critique
I enjoyed this assignment. As always, the hardest thing for me is coming up with good content, and then getting that idea out of my head and technically right on camera. Basically, we just played around with the light, getting used to our light sources and how much output they had. It was fun to see what came up on the camera, but frustrating too because to paint the sax, I had to be dead on the bell and perfect at painting every time: Would the light be in the frame of the camera, look natural, and be ascetically pleasing as far as how much light was burned in. (Groping around in the dark was the biggest challenge, I think.) But the more takes we did, the more we began to get the hang of the effects that could be done with light.
I was trying to get a picture that showed some sort of motion, to portray the emotional side of jazz. After looking at my outtakes on my computer, I realized that I had a pink gel on my flash (from our previous shoot of me on point shoes). I didn’t think about how that would look on Josh’s skin.
For my select, Josh started at the left side of the frame. I popped the flash once on the left side of the room about 10 feet away. Then he moved to the middle right of the frame and bent down. I popped the flash again at the same distance. And then came over and painted light with a reading light (with a pink gel) around the bell, creating swirls going out. I think my only gripe about my select is the pink gel muddied his skin and brown sweater. I should have taken off the gel. Also, I wish that the backdrop were a little blacker on the left side of the picture between the two saxes. The picture also feels a little under exposed to me. I had dialed down the flash to 1/16 because I felt the light output was too bright. But I think 1/8 or ¼ probably would’ve been better. My select was shot at an ISO of 500 and F8. Shutter put on bulb.
Thursday, October 18, 2007
Single Flash assignment - Cooking for Alpha Phi Sorority
Bob Heyn cooks quesadillas, while James Wood cuts and prepares them for the buffet lunch at the Alpha Phi Sorority House on the University of Missouri campus in Columbia, Missouri on Monday, October 15. 2007. The men work for Sterling Food Service Management, who are contracted by the sorority house. Sterling Food Service prides themselves on being “the Cadillac brand” of contracted food services within the fraternity and sororities on the MU campus, says David Barry, owner.
Single Flash Assignment - 'Fall Into Style' for Cancer Awareness
A model shows off a dress made by a student at Stephen’s College for the ‘Fall Into Style’ Fashion Show at Commerce Bank. The dress was made out of recycled gloves and an old wedding dress to promote awareness in that “everyone has a hand in fighting breast cancer”. The fashion show featured styles from local downtown boutiques and dress designs of recycled materials by Stephen’s College fashion students followed by a raffle and open house, trunk shows, and refreshments at downtown boutiques with proceeds from any sales benefiting the Susan G. Komen for the Cure Foundation. Stephen’s College and The District sponsored the event.
Critique
This assignment was emotionally hard for me. I felt I was up against every technical challenge known to man: how do I control such harsh shadows, how do I hold the flash and take pictures (and that won’t blur), where do I bounce the light, who will finally let me continually flash them for an hour, not much news worthiness out there this week, why did my autofocus not work right. But I felt the more I practiced, the more I began to understand flash, and I was able to understand proper placement of the flash. It’s certainly tricky trying to figure out where to bounce the flash. For some reason, most of my pictures are blurry and the auto focus lever on my camera got moved to a different setting. I didn’t realize those images I wanted in focus were blurry, as it was focusing on the other stuff. It was quite discouraging when I downloaded the pictures onto my computer!
For my first shoot, I shot at the ‘Fall Into Fashion’ Fashion Show. It was held in the Commerce Bank, which had very high ceilings, and there was nothing in there that had adequate walls or floors to bounce off. So I knew I would have to shoot with off-camera flash. I put the flash on manual to practice the distance ratio and F-stop equivilants. I found it to be a helpful exercise. But I was also frustrated that my flash didn’t recharge more quickly, and that I couldn’t stabilize my camera very well, only having one hand and all. I found most of my pictures to be underexposed, because I shot too early when the models were too far from me. I couldn’t open my lens any wider, and since the flash didn’t charge as quickly, I found I lost out on pictures that were better framed and more visually interesting.
At my next shoot, I shot the house chefs at the Alpha Phi Sorority house on the MU campus. There wasn’t much lighting in the kitchen, so I thought the flash might overpower and produce some harsh shadows. So I put the camera on TTL. Most of the kitchen was covered with metal, so I bounced off of it, but felt there was a grey cast to the skin. I then started bouncing off of the chefs white jackets. This seemed to cast softer shadows. I think I got some visually interesting pictures. But this was the shoot that my autofocus lever got moved from what I was used to working in, so many of my pictures are focused on the wrong things or are blurry.
My final shoot was at Bluestem Crafts. I felt more relaxed with this shoot, because the women I shot were very willing to help me. I approached this shoot by slowly myself down and worked through the process more slowly. I felt I could do this, because there were few customers coming in and out of the shop. I shot both in TTL and manual, and I shot on and off camera (mostly off). However, although there were white walls, they were covered with many colorful things, and the ceilings were too high and colored black. Trying to bounce off of something became challenging, so I pulled out my white card, but found that most of my pictures had harsh shadows and hot spots. I did try to turn down the flash for less power output. I guess I am still just confused by the process of it all.
For my selects, I chose those from my first shoot. I picked the picture of the two chefs, because I felt that it was visually interesting, was adequately exposed, and the flash did a good job highlighting without overpowering. This was my bounced select. I shot this at F5.6, 1/125 at 100 ISO with TTL bounced flash (off of his jacket), and with a 28.0mm lens. I shot directly to the left of the men. I decided to bounce off of his jacket because where the men were directly working, they were surrounded by grey metal and it was producing greyish skin tones. The walls and ceilings weren’t good to bounce from either.
I chose my other select, the girl in the dress, because I felt the light created from the direct off camera flash the feeling of being at a fashion show. And although, I’m not particular happy with the deep shadows around the shoulders (I think I should of waited just a little longer for her to move closer to me to produce the correct angle and shadow and to evenly distribute the light on the dress), the light enhances the cause of the show – breast cancer awareness. The dress was made out of recycled gloves and an old wedding dress to promote the cause in that “everyone has a hand in fighting breast cancer”. I shot this at F5 at 1/125 at 100 ISO with a 50 mm lens. This was off camera direct flash. I was to the left of the models in the middle of the runway. With this shot, I was down on the floor sitting, trying to stabalize my camera with my elbow on my knee, while raising the off-camera flash high over my head hoping to highlight the entire dress with light.
Friday, October 5, 2007
(Metal) and Glass
Need an idea that will make your sweetheart swoon? Get creative with construction paper, glue, and scissors and cut yourself a bouquet of flowers. Colored paper and textured shapes, combined with your favorite vase make an easy and sweet project for the one you love. A love preservative is all that is needed to keep this bouquet fresh for years to come.
Critique
For my select, I used the pexi glass stand. I used two lights and a reflector. The main light was the boom with a soft box on it, and I put it directly behind the pexi glass. Then I put a light on a low tripod under the pexi glass and directed it back at a white reflector I put beneath the boom. This was to get rid of that grey line that seems to be prominant at the base of the pexi glass. I used 300 watts for each light. I shot at 1/125 shutter speed at F22, at a 200 ISO. My focal length was 80mm. This particular shot I felt was still a little underexposed, but I had a hard time trying to balance the exposure of getting detail in the glass vase without it be overexposed and then making sure I was getting proper exposure for the backdrop pexi glass. I found that I had to go up on my tiptoes and get at a certain angle just to have proper detail in the vase, but it limited my artist elements of the picture. I tried different angles, but all my other pictures had clipping in the white areas. This seemed to be my best one, artistically and technically.
Tuesday, October 2, 2007
Classmate Portrait - Alex Grigsby
Alex Grisby, 28, a senior convergence journalism major at the University of Missouri, is in his last semester. He hopes to take pictures for a living after college, and he is presently working to establish a photo business. When asked what his friends would say about him Alex commented, “They would probably say that I am crazy and ready to do anything that gets a laugh or the adrenaline pumping. I love to laugh and have a good time. I strive for a surplus of laughter in my life.”
Critique
For my final select, I used only one light with a softbox. It is to the camera’s right hand side at 45 degrees. I also used a tan reflector on the left side of the camera at 45 degrees from the subject. I had 800 mw of power. I believe I had a 2:1 ratio. I shot an exposure at F18 at 1/125 shutter speed, with my ISO at 200. I used a 46 mm focal length for my lens. I decided to use a softbox because I felt that it created a softer look for the hair and skin. The specular light was a little too harsh, and the diffuse light added to the more playful look of the shot.
I learned a lot from the project and I am interested in learning more about portraits and perfecting my technique. I think the more you work at something, the better you become.
Critique
For my final select, I used only one light with a softbox. It is to the camera’s right hand side at 45 degrees. I also used a tan reflector on the left side of the camera at 45 degrees from the subject. I had 800 mw of power. I believe I had a 2:1 ratio. I shot an exposure at F18 at 1/125 shutter speed, with my ISO at 200. I used a 46 mm focal length for my lens. I decided to use a softbox because I felt that it created a softer look for the hair and skin. The specular light was a little too harsh, and the diffuse light added to the more playful look of the shot.
I learned a lot from the project and I am interested in learning more about portraits and perfecting my technique. I think the more you work at something, the better you become.
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